Skip to main content

Maximum Overdrive (1986) - Stephen King

Maximum Overdrive is a 1986 science-fiction horror comedy film from writer/director, Stephen King, and producer Dino De Laurentiis. It’s loosely based on the short story “trucks” that appeared in the Night Shift collection. However, this is a mostly original feature written by King directly for the silver screen. The soundtrack is proudly provided by the power-rock band AC/DC, who’s album Who Made Who was the official soundtrack. The movie stars “Mr. Cool” Emilio Estevez, Pat Hingle, Laura Harrington, and Lisa Simpson herself, Yeardley Smith. It’s cool to see her in this movie. But her voice is like a power saw. 
A comet flies too close to Earth and makes all electronics rebel against their human users. ATM’s are insulting their patrons. Arcades are electrocuting the gamers. Drink machines are pelting poor coaches. And a small group of travelers is being held hostage in the Dixie-Boy Diner by a group of menacing autonomous semi-trucks. Can the humans prevail over the machines they created? Why did a toy police car kill a dog?

This was Stephen King’s first and only directorial feature. Dozens of his stories have been turned into movies, but this one might take the cake for being the campiest. It’s not good. Apparently, King was on large quantities of cocaine while making this. He said in an interview that he was "coked out of my mind". It’s no wonder that he spent part of the budget securing his favorite band to do the soundtrack. He admitted later that the film was a terrible adaptation of his work and it served as a good learning experience for him. Although King showed some promise during a few scenes. He wouldn’t try it again. 

It’s a great movie to watch and enjoy with friends. It’s corny, campy and terrible all at the same time. It’s the epitome of a movie that’s so bad it’s good. The editing is horrible. Writing isn’t any better. Scenes just don’t make any sense. There are obvious flaws and plot holes, but it’s all the more to laugh at and enjoy. Ellen McElduff breaking down and screaming at the trucks is what movies are made for. And that Green Goblin truck is really badass. It’s interesting to note that this movie ties into the Castle Rock universe by having a character that’s traveling to Haven. A fictional town in Stephen King’s version of his home state of Maine.

I love Stephen King properties. I love his books and adaptations. Well, most of his adaptations. Dreamcatcher and The Mist leave a lot to be desired from me. But this isn’t one of the worst ones. I’ve seen Maximum Overdrive countless times before. In fact, I remember watching it on TNT’s MonsterVision with friends way back in Middle School. That must have been at least 95/96. It’s weird in a strange way that keeps it entertaining. I recommend it to fans of Stephen King, or anyone looking for something to make fun of.


















Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Humanoids From the Deep (1980) - Barbara Peeters and Jimmy T. Murakami

This is your standard old drive-in Creature Feature that has tons of gore and boobs. It's great if your in for a cheap thrill. This film goes right up along side any Roger Corman produced picture from the eighties. It's rumored that Joe Dante was approached to direct this movie but he turned it down. Humanoids from the Deep, also known as Monster, is a strange but forgettable piece of exploitation that failed to make it's notch in history. Don't let that detour you though. This is a really fun little film that doesn't fail to be entertaining.  A small sea town in California is terrorized by some mutated creatures from the deep. They look like some sort of mutated fish, merman-thing. They seem to have one goal in mind and that is raping and impregnating the females of the town. Also the town is being taken for a ride by a shifty businessman and his new corporate cannery. Could this evil cannery corporation be responsible for the Extreme Creatures of the B...

Escape From Tomorrow (2013) - Randy Moore

This review may contain spoilers. An American independent horror movie from filmmaker Randy Moore. It stars Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Jack Dalton, Annet Mahendru, and Alison Lees-Taylor. It premiered at the official selection of Roger Ebert, at the Sundance Film Festival on January 18th, 2013. Synopsis Jim is a depressed middle-aged man that despises his family life but wants to try to hold it together for a vacation to the Walt Disney World Resort. Jim receives a call before they leave and, unfortunately, Jim has lost his job as well. It proves too much to handle as this trip to the Magic Kingdom becomes a hellish nightmare. Jim’s mind cracks as we watch him deal with Disney’s seedy underbelly. Complete with elaborate corporate conspiracy, undercover sex workers, and demons. Oh and two very young French girls that Jim lusts over. It’s gross. Analysis The acting is amateurish. It’s nothing that’s going to win any awards or anything. The wri...