Skip to main content

Sleepy Hollow (1999) - Tim Burton



Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way.



Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head. 

I've always been a big fan of the Disney cartoon, The Adventures of Ichabod and Mr. Toad. This movie is a far cry from Bing Crosby and quaint animations. They are sacrificed for a badass Christopher Walken, with teeth filed down to points. And copious amounts of gore waiting to squirt. Trees gnarled and mangled with body parts and blood as sap. Dark magic, adultery, and murder are a few elements added that make this really intriguing. 



When are making an R rated movie and you have a villain like the Headless Horseman, you sort of have an obligation to deliver some good decapitations. This movie does it in spades. You also get a good deal of surgical type gore. A running gag has Johnny Depp on the receiving end of some splatters. It's gory and quite comical. A good mix.

Aside from the gore this movie is beautiful. It is exquisitely shot and does a great job playing with tones and colors. It really helps portray the emotions in the scenes. Most of which are pretty depressing. Everything from the costumes to the sets make you feel like your right in the movie. They are really well done. 


While this movie is rife with Burton cliches, they tend to work. Danny Elfman's score is a thing of beauty. The acting is top notch and the costumes are amazing. You can tell that they took their time with the details. I was weary of this, as I usually am with Tim Burton nowadays. However, it was great. I loved it. I saw it in the theater and loved it just as much then as I did today. 

Director: Tim Burton
Style: Classic Retelling - Headless Horseman
Country: USA

Did ya know...

Director Tim Burton included scenes in homage to Disney's animated version of the Sleepy Hollow tale (featured in The Adventures of Ichabod and Mr. Toad (1949)). These include the scene in which Ichabod Crane crosses the covered bridge and hears the frogs underneath croaking "Ichabod" and "Headless Horseman," the following chase sequence where Ichabod is run down and unhorsed, apparently by the Horseman, and the moment in the climactic chase scene in which Ichabod runs into a tree limb, and, thrown through the air, ends up landing on the Horseman's horse backwards.
Washington Irving claimed that Ichabod Crane and Katrina Van Tassel were real people.

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are defini

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved itself into back in