Skip to main content

Street Trash (1987) - James M. Muro


You have to prepare yourself for watching something like Street Trash. It's not something that you just jump right into. I had seen Slime City prior to watching this one. So I was kind of ready for the putrid ugliness. It's vile and disgusting, but it really gets the job done. As I said about Slime City, this feels like punk rock film. In your face and against the system. 

Some strange toxic liquor called Viper is making it's way around the streets. Homeless people are picking up these bottles and drinking the lethal concoction that makes your body physically melt. We take a look at two homeless guys that are trying to survive the effects of the booze while also dealing with other asshole homeless dudes and junk yard workers. 

Gore and mutilation effects are all over this picture. Body melt is a common theme. The effects are creative but terrible at the same time. They use really bright colors as a stark contrast to the usual blood and gore that we are used to. They have extremely controversial themes and James Muro tackles them as immaturely as possible. 

Street Trash wasn't a good movie. Not by a long shot. The thing is... it's not supposed to be. The goal of this flick is to shock and awe the crowd. Not please it. This movie succeeds in the same way that a film like Human Centipede does. It makes you feel something. Even if that something is disgust. 

Director: J. Michael Muro
Producer: Roy Frumkes
Writer: Roy Frumkes
Starring: Mike Lackey, R. L. Ryan, James Lorinz and Vic Noto
Studio: Street Trash Joint Venture and Lightning Pictures
Release Date: September 16, 1987
Country: USA
Did ya know: Future director Bryan Singer was a production assistant.

By Universe259



Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Sleepy Hollow (1999) - Tim Burton

Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way. Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous  Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head.  I've always been a big fan of the Disney cartoon,  The Adventures of Ichabod and Mr. Toad . This movie is a far cry from Bing Crosby and quaint animations....

Le Manoir du Diable (1896) - George Melies

According to Wikipedia in August of 2011, Le Manoir du diable by Georges Melies is the first horror movie. Well, actually its a short film (about three minuets or so) but film was really hard to come by in that time so this counts as a film to me. The plot of the film is basic, you have your hero being tormented by demonic things in a crazy castle room... However, that plot isn't what brought the crowds. The thing that drove the popularity of these films was the fact that you were seeing motion on screen. I suggest going and seeing Hugo. That film is spectacular. It answered so many questions that I had. It really sets the scene and the tone. The film has strong christian overtones and actually ends with Christianity prevailing over the "tides of darkness". I provided a link at the bottom of this review for anyone that would like to see this pioneer in Horror Film. The movie uses very, very early "movie magic" that is an abundance of smoke and m...