Skip to main content

Halloween 4: The Return of Michael Myers (1988) - Dwight H. Little


Halloween III was a social failure. Sure, today it is looked back on as a Cult Classic. It's the one entry to the Halloween series that strays far from the Michael Myers motif. But, when it came out Moustapha Akkad had different plans for the series. He wanted it to be like a sort of anthology series. A different antagonist for each picture. This didn't happen. Fans wanted Michael Myers to return and that is just what happened. Disagreements with John Carpenter would unfortunately lead to his departure from the films, thus making Halloween 4 the first in the series to not have anything to do with Carpenter. Kind of a shame really. 

Last we saw Michael Myers before this point would be back in Halloween II. Laurie Strode and Dr. Loomis had seemingly made it away from the monster when they exploded a hospital on him. But that didn't kill him. Myers survived and ended up being detained in a coma at a very high security medical prison. He escapes during a mis-handled prisoner transfer in search for his niece, Jamie Lloyd in Haddonfield. Dr. Loomis returns to help in the fight against this psychopath. 

It's a pretty standard, late-eighties slasher movie. The promiscuous teenagers paying the ultimate price and dying off one by one during the night. Michael Myers is painted as a brutal and indestructible force. He actually resembles Jason Voorhees of the Friday the 13th franchise more than the usual Michael Myers that we have all come to fear. The Shape. That may be a downside for most folks. But for me, this only leads to some really creative deaths.

The effects are good. John Carl Buechler, the director of Friday the 13th actually came in and did a few things for the movie too. He provided some really gruesome scenes including one where a persons head gets ripped off of their body as they are driving. The only thing that bothered me is Michael's ability to teleport. He did it way too much. I know he doesn't actually teleport in the film. That isn't a power or anything. It's just an example of poor planning from the director. Nothing too horrible though. It doesn't become unwatchable. Everything else checks out. Nothing is too amazing and nothing drags it down.



This may be the best of the Halloween sequels. It is definitely one of the most brutal, with only the Halloween: The Curse of Michael Myers Directors Cut, surpassing it. This movie is not okay for kids to watch. They will have nightmares. It's pretty vicious. So far, Halloween 4 has been one of my favorites. I like the Jamie Lloyd character and I am always a fan of Michael's. Check it out. 

Director: Dwight H. Little
Producer: Paul Freeman[1]
Writers: Alan B. McElroy, Danny Lipsius, Larry Rattner and Benjamin Ruffner
Starring: Donald Pleasence, Ellie Cornell, Danielle Harris and Michael Pataki
Studio: Trancas International and 20th Century Fox
Release Date: October 21, 1988
Country: United States
Did ya know: Series creator John Carpenter wrote a treatment for this film that had a more ghostly psychological approach to the Michael Myers mythos. It concerned the town of Haddonfield and what effect the events of the first two films had on its citizens. This concept was later rejected by the producers in favor of the typical slasher fare, at which point Carpenter bailed out of the film, making this the first in the series to have no participation from him.






Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Humanoids From the Deep (1980) - Barbara Peeters and Jimmy T. Murakami

This is your standard old drive-in Creature Feature that has tons of gore and boobs. It's great if your in for a cheap thrill. This film goes right up along side any Roger Corman produced picture from the eighties. It's rumored that Joe Dante was approached to direct this movie but he turned it down. Humanoids from the Deep, also known as Monster, is a strange but forgettable piece of exploitation that failed to make it's notch in history. Don't let that detour you though. This is a really fun little film that doesn't fail to be entertaining.  A small sea town in California is terrorized by some mutated creatures from the deep. They look like some sort of mutated fish, merman-thing. They seem to have one goal in mind and that is raping and impregnating the females of the town. Also the town is being taken for a ride by a shifty businessman and his new corporate cannery. Could this evil cannery corporation be responsible for the Extreme Creatures of the B...

Escape From Tomorrow (2013) - Randy Moore

This review may contain spoilers. An American independent horror movie from filmmaker Randy Moore. It stars Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Jack Dalton, Annet Mahendru, and Alison Lees-Taylor. It premiered at the official selection of Roger Ebert, at the Sundance Film Festival on January 18th, 2013. Synopsis Jim is a depressed middle-aged man that despises his family life but wants to try to hold it together for a vacation to the Walt Disney World Resort. Jim receives a call before they leave and, unfortunately, Jim has lost his job as well. It proves too much to handle as this trip to the Magic Kingdom becomes a hellish nightmare. Jim’s mind cracks as we watch him deal with Disney’s seedy underbelly. Complete with elaborate corporate conspiracy, undercover sex workers, and demons. Oh and two very young French girls that Jim lusts over. It’s gross. Analysis The acting is amateurish. It’s nothing that’s going to win any awards or anything. The wri...