Skip to main content

A Nightmare on Elm Street 4: The Dream Master (1988) - Renny Harlin


I love when sequels honor the continuity of the previous film. I don't like when different actors are cast in roles that others had previously. It doesn't help the flow. Nightmare on Elm Street 4 is one of those movies. While it may be a pretty awful road. This sequel at least follows the narrative. 

The movie follows the events of the previous film A Nightmare on Elm Street 3: The Dream Warriors. We catch up with the remaining Elm Street kids who have been released from the Westin Hills Asylum. They try to live normal lives. However, Freddy isn't dead and is coming back for his revenge on the Dream Warriors.

It's a shame that Patricia Arquette didn't make it back for this one. I enjoyed her character in the third movie. But at least I got Kincade for a little while. He kicks ass. Robert Englund gets top billing in this installment for the first time and shows it as the top star. 

Nightmare 4 has a pretty kick ass soundtrack. I especially liked the workout montage to the Dramarama song Anything Anything. I also liked the little details that the director added in. Little things like Kincade's dog being named Jason or the diner being called the Crave Inn. 

This one isn't perfect by any stretch. Freddy's killings seem to be getting more and more elaborate. By this time Freddy is more of a novelty act. He spews out tons of catch phrases and one liners. He murders people in some really elaborate ways too. Crowds showed up at theaters to see just how Freddy was going to dispatch the youth in this go-around. 

Director: Renny Harlin
Producer: Robert Shaye and Rachel Talalay
Writers: Brian Helgeland and Scott Pierce
Starring: Robert Englund, Rodney Eastman, John Beckman and Tuesday Knight
Studio: Heron Communications and Smart Egg Pictures
Release Date: August 19, 1988
Country: USA
Did ya know: The two gravestones visible behind Kristen Parker's and Roland Kincaid's are for Donald & Nancy Thompson, characters from A Nightmare on Elm Street (1984) and A Nightmare on Elm Street 3: Dream Warriors (1987).













Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Sleepy Hollow (1999) - Tim Burton

Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way. Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous  Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head.  I've always been a big fan of the Disney cartoon,  The Adventures of Ichabod and Mr. Toad . This movie is a far cry from Bing Crosby and quaint animations....

Le Manoir du Diable (1896) - George Melies

According to Wikipedia in August of 2011, Le Manoir du diable by Georges Melies is the first horror movie. Well, actually its a short film (about three minuets or so) but film was really hard to come by in that time so this counts as a film to me. The plot of the film is basic, you have your hero being tormented by demonic things in a crazy castle room... However, that plot isn't what brought the crowds. The thing that drove the popularity of these films was the fact that you were seeing motion on screen. I suggest going and seeing Hugo. That film is spectacular. It answered so many questions that I had. It really sets the scene and the tone. The film has strong christian overtones and actually ends with Christianity prevailing over the "tides of darkness". I provided a link at the bottom of this review for anyone that would like to see this pioneer in Horror Film. The movie uses very, very early "movie magic" that is an abundance of smoke and m...