Skip to main content

The Black Cat (1941) - Albert S. Rogell


Another survival/comedy horror movie that has the Old Dark House motif. It is loosely based on the Edgar Allan Poe tale and more closely resembles The Cat and the Canary. To make things complicated. Bela Lugosi stars in a 1934 classic The Black Cat. These two are not related in any way. Aside from Lugosi. It's only saving graces are that the production quality is there and at least its a Universal Picture. 


A group of fortune seeking relatives descend on the residence of an old woman that is dying. Henrietta Winslow had lived with her servants and cats for years. Now, after her passing away during the night. The relatives are left to survive thunder claps, the dark and cats. Usual fare for yet another old dark house tale brought to you by Edgar Allen Poe.


This movie is really well made and has a fantastic aura. However, it's boring and predictable. The only saving graces are the shallow characters and creepy overtones. Also, it's criminal that Bela Lugosi isn't in the picture more. However, the cast that was assembled would be better utilized in an original setting. This old dark house style has run it's course. This movie is appropriate for all ages, but I cannot stress how boring and unoriginal it is. 

Director: Albert S. Rogell
Producer: Burt Kelly
Writer: Robert Lees, Robert Neville
Starring: Basil Rathbone, Hugh Herbert, Broderick Crawford and Bela Lugosi
Studio: Universal Pictures
Release date: May 2, 1941
Country: USA
Did ya know: Broderick Crawford's line "He thinks he's Sherlock Holmes" is a gag. At the time this was made, Basil Rathbone had already played in two Holmes films, "The Hound of the Baskervilles" and "The Adventures of Sherlock Holmes."



Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved i...

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are ...