Skip to main content

The Wolf Man (1941) - George Waggner



Another Universal Monsters movie classic. The Wolf Man is a fantastic story that introduces the newly developed modern horror community to werewolves. At least in the form that we all know and take as scripture. Lon Chaney Jr. turns in his most infamous performance in the lead. It was definitely the peak of his career, but it serves him very well. I am very hard on Werewolf movies and this one gets no mercy. I went into this watching it with a pretty great distaste, but I was softened. It was good. 

Lon Chaney Jr. plays an American, Larry Talbot, that has come to his ancestral homeland of Whales. He falls in with the locals and enjoys the scenery. Everyone seems really outspoken about werewolves. They chant and tell tales that eventually intrigue Talbot into a trip to a Gypsy Camp. They are attacked by a werewolf but Talbot ends up killing it. However, in the struggle the werewolf bit him. He is told of his fate to become a werewolf during every full moon. Larry distances himself from everyone. He's afraid that he might become a werewolf with an insatiable lust for blood. He begs for everyone to leave him alone and when the moon is full he becomes the Wolf Man! He stalks the shadows preying on whatever might come his way. 

This film is responsible for endless spawn of the same genre. Just about every iconic trope associated with werewolf movies comes from this feature. Silver Bullets, The infectious bite, and turning during the full moon are just a few. It's definitely a benchmark for horror fans. The character design is really great, dated, but great. The cinematography helps a lot. Some of the shots of The Wolf Man stalking through the shadows are just beautiful. The makeup and look is so iconic and the way that the actor portrays it is fantastic. If you are a fan of makeup and design you should definitely check this out. 

The movie does an amazing job of building a world that it exists in. Everything is pretty flushed out. The acing is a bit rough but has it where it counts. The real draw is the story. It's wonderful. You get an amazing introduction to Lyconthropy and an iconic telling of that subject. Lon Chaney Jr. gives the best performance of his career even though it starts out a bit weird and creepy. The movie doesn't really get very dull. It's short but it packs a great deal of quality storytelling. Parts of it are corny but it's good. 

The Wolf Man isn't scary. It has a few moments that could be confused for scariness. But overall, this film just doesn't get the blood rushing. It may be pretty and iconic, but it isn't scary at all. Larry Talbot is a creep in a different sense. He leers at women through a spyglass and demands romantic interludes from them. 

Of course this movie is recommended. This movie was great but not amazing. If you are a student or fan of the genre, then this is right up your alley. This is the most iconic werewolf movie and nearly the most iconic horror movie of all time. I don't recommend werewolf movies that often. I just find the subject to be pretty dumb. But after starting this project I have started to let down my guard a bit more. This may not be the best, but it is the most well known. Check it out. 


Director: George Waggner
Starring: Lon Chaney Jr., Claude Reigns, Warren William, and Bela Lugosi
Style: Fantasy Werewolf Horror
Studio: Universal
Country: USA


Did ya know...



The church scenes were shot on the old "Hunchback of Notre Dame" set where Chaney's father had played Quasimodo in 1923.
The Wolf man battled a bear in one scene but unfortunately the bear ran away during filming. What few scenes were filmed were put into the theatrical trailer.
Larry's silver wolf-headed cane, the only known surviving prop from the movie, currently resides in the personal collection of genre film archivist Bob Burns. Burns, who was a schoolboy at the time, was given the cane head by the man who made it for the film, prop-maker Ellis Burman.

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Humanoids From the Deep (1980) - Barbara Peeters and Jimmy T. Murakami

This is your standard old drive-in Creature Feature that has tons of gore and boobs. It's great if your in for a cheap thrill. This film goes right up along side any Roger Corman produced picture from the eighties. It's rumored that Joe Dante was approached to direct this movie but he turned it down. Humanoids from the Deep, also known as Monster, is a strange but forgettable piece of exploitation that failed to make it's notch in history. Don't let that detour you though. This is a really fun little film that doesn't fail to be entertaining.  A small sea town in California is terrorized by some mutated creatures from the deep. They look like some sort of mutated fish, merman-thing. They seem to have one goal in mind and that is raping and impregnating the females of the town. Also the town is being taken for a ride by a shifty businessman and his new corporate cannery. Could this evil cannery corporation be responsible for the Extreme Creatures of the B...

Escape From Tomorrow (2013) - Randy Moore

This review may contain spoilers. An American independent horror movie from filmmaker Randy Moore. It stars Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Jack Dalton, Annet Mahendru, and Alison Lees-Taylor. It premiered at the official selection of Roger Ebert, at the Sundance Film Festival on January 18th, 2013. Synopsis Jim is a depressed middle-aged man that despises his family life but wants to try to hold it together for a vacation to the Walt Disney World Resort. Jim receives a call before they leave and, unfortunately, Jim has lost his job as well. It proves too much to handle as this trip to the Magic Kingdom becomes a hellish nightmare. Jim’s mind cracks as we watch him deal with Disney’s seedy underbelly. Complete with elaborate corporate conspiracy, undercover sex workers, and demons. Oh and two very young French girls that Jim lusts over. It’s gross. Analysis The acting is amateurish. It’s nothing that’s going to win any awards or anything. The wri...