Skip to main content

Spooks Run Wild (1941) - Phil Rosen


Spooks Run Wild is a hilarious romp. I never thought I would use that term but here we are. The East Side Kids are not as annoying as you would think. The movie feels like it was filmed years before 1941, but that is just due to a pretty low budget. Bela Lugosi stars and does a pretty decent job. I liked this movie much more than any other of his post-Dracula vehicles.

A group of teens is sent out to a camp for "special kids". A small group wanders off and gets lost. These are the East Side Kids. The Kids end up walking through a graveyard. One of them gets shot and they take refuge in the nearest home. That home happens to belong to a mysterious vampire-like stranger played by Bela Lugosi. He offers to help them and insists that they stay at his home for the night. Weird things start to happen and the East Side Kids try to escape before they meet their demise. 

This movie was incredibly surprising. I didn't expect to enjoy this as much as I did. Sometimes it gets tedious, going back and watching these old movies. Don't get me wrong. I love these old classics. It's just that this movie goes right back to the old Old Dark House theme and it's tired. That is the worst thing about these old features. They tend to just ride on that theme and it's been going on since the early 1900's. It's the one of the oldest plots. 

This is another example of Bela Lugosi not being able to shake off that vampire gimmick. The people loved it and it made his career. He was pigeonholed. No matter how much he hated it, it made him famous. His performance in this is actually really good. It's not just a throw away casting choice. He gets a really decent amount of screen-time and is intricate to the storyline. This isn't one of his best, but damn if it isn't impressive. 

This is a comedy through and through. It may have a horror theme around it, but the coating is comedy. The East Side Kids are a comedy troupe and this is just one of their showcase movies that happens to have Bela Lugosi in it. If you are looking to have nightmares than you might be disappointing. This isn't that type of film. Kids can watch this and not miss a beat of sleep. I recommend this to anyone that wants to follow Bela's career or has a love for old comedy. As I said above, it is enjoyable for all. I had a great time watching it even if it isn't scary. 

Director: Phil Rosen
Starring: Bela Lugosi, Leo Gorcey, Bobby Jordan and Huntz Hall
Style: Old Dark House Comedy Horror
Country: USA
Studio: Monogram Pictures

Did ya know? 
Filmed June-July 1941.The second of Bela Lugosi's 9 Monogram features, and the first of two with the East Side Kids.

The copyright expired and was not renewed, so the film fell into "public domain", meaning that virtually anyone could copy it and sell it without having to pay royalties. That's why there are so so many shoddy, badly cut, grainy copies of it on the market, put out mainly by companies that specialize in public-domain films.

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are defini

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved itself into back in