Skip to main content

Shocker (1989) - Wes Craven


This movie is terrible but polished. I can recall Shocker trailer spots on television from my childhood. It looked frightening. I was wrong. Shocker was campy, laughable, and above all confusing. It is great for parties and marathons, but shouldn't be considered for serious film study. Absolutely nothing seems fresh or new. Almost everything feels half-assed and uninspired. But hey, this is horror. I guess I can lighten up. A bit. 

For some reason a teenager has a telekinetic link with a notorious serial killer named Horace Pinker. This guy has apparently murdered over thirty families in twenty years. He is brutal and loves killing. The psychic link allows the teenager to view the killings and witness these brutal murders. He can even project himself to appear physically in the presence of Pinker. It's weird and confusing. Eventually, the teen helps the police capture Pinker, who vows to get his revenge. While on Death Row, Pinker makes a deal with the Devil or some demon. On his execution date he is given The Chair. However, he seems to absorb the electricity making him stronger and transforming him into Shocker! 

This is where the movie just keeps beating itself into the ground. Horace Pinker develops new powers as Shocker. He is apparently made of pure electricity and can transfer his consciousness between bodies and victims. He seemingly jumps between bodies and chases the teen through the whole movie. It's bizarre. At one point he takes control of a small child and curses up a storm, which is hilarious. 

You hear about some movies that are so bad they end up being good. This is kind of one of those movies. Shocker goes on for far too long. It just keeps drudging along with a strange random pace that becomes frustrating. It's not scary. In fact it feels pretty tame. Almost made for television. At some points it felt as if I were watching an X-Files episode or something like that. Not just because Mitch Pileggi plays Horace Pinker. But it's tone is completely different other horror movies coming out around the same time. I felt like Wes Craven's New Nightmare felt the same way. 

The movie has a good deal of gore and speed/sleaze metal for the soundtrack. In these departments the film does well. However, the storyline and general malaise of the actors makes this pretty forgettable. It's not a wonder that no one really talks about it. Wes Craven has created some amazing ideas, but this was not one of them. Shocker should stay hidden away. 

Director: Wes Craven
Starring: Mitch Pileggi, Peter Berg, and Michael Murphy
Style: Telekinetic Slasher
Studio: Universal
Country: USA

Did ya know? 
According to Wes Craven, the film was severely cut for an R-rating. It took around 13 submissions to the MPAA to receive an "R" instead of an "X". Some of the scenes that were cut include; Pinker spitting out fingers that he bit off from prison guard, longer and more graphic electrocution of Pinker and longer scene of possessed coach stabbing his own hand.

The body of the jogger in the park that Horace takes over is Jonathan Craven, son of director Wes Craven.

When Jonathan and his father enter the Tavern after the funeral of their family, a news program is playing on the TV in the background and discussing the murders. Someone immediately changes the channel and on comes (briefly) the 1986 concert footage of Alice Cooper's The Nightmare Returns tour.

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Sleepy Hollow (1999) - Tim Burton

Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way. Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous  Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head.  I've always been a big fan of the Disney cartoon,  The Adventures of Ichabod and Mr. Toad . This movie is a far cry from Bing Crosby and quaint animations....

Le Manoir du Diable (1896) - George Melies

According to Wikipedia in August of 2011, Le Manoir du diable by Georges Melies is the first horror movie. Well, actually its a short film (about three minuets or so) but film was really hard to come by in that time so this counts as a film to me. The plot of the film is basic, you have your hero being tormented by demonic things in a crazy castle room... However, that plot isn't what brought the crowds. The thing that drove the popularity of these films was the fact that you were seeing motion on screen. I suggest going and seeing Hugo. That film is spectacular. It answered so many questions that I had. It really sets the scene and the tone. The film has strong christian overtones and actually ends with Christianity prevailing over the "tides of darkness". I provided a link at the bottom of this review for anyone that would like to see this pioneer in Horror Film. The movie uses very, very early "movie magic" that is an abundance of smoke and m...