Skip to main content

Pet Sematary (1989) - Mary Lambert



This movie scared the crap out of me. I had nightmares for a long time. It literally ruined my sleep during my 8 year old summer. It was so effective, so scary. The story is so damn good. Stephen King is a master. He has been such a cornerstone of the genre for so many years. This story is a testament to that. Both the movie and book are amazing. I was more than excited to watch and review this one.

The Creed family, Louis, Rachel, Ellie, and Gage, move into a small house that sits on a dangerous highway. Across that highway lives Jud. An elderly man that has lived in the area for the better part of a century. Shortly after moving into the house, the family discovers a strange path leading to a Pet Cemetery. 



When Ellie's cat Church dies, Jud takes Louis into a secret part of the Cemetery to bury it. A bad part. The cat comes back but the cat is changed. Jud explains to Louis that the Cemetery is sour and anything buried there doesn't stay in the ground. This doesn't stop Louis from screwing everything up and burying just about anything dead he could find. 

You know your watching a REAL Stephen King movie when he makes an appearance in it. That's how you know Pet Semetary is an official King flick. For me, the story is the strongest part of this movie. It's so absorbing. The acting is pretty average. It's nothing amazing. All the same, the acting fits this specific picture pretty well.


This isn't just another classic case of the book being superior to the movie, but both mediums here share a similar quality. Parts of this movie will stay with you. They are not exactly hard to watch. It's just horrific. Not just the evil reanimated bodies, but also the underlaying dread and side stories. The story about Zelda specifically. It makes me shudder. 

Then when you think that this movie is nothing more than just a suspenseful zombie thriller, boom! This movie breaks your heart. It takes your heart out and kicks it against the wall. When that happens, it's kind of the point at which this movie becomes so effective. If you don't like this movie then you will at least end up remembering some part of it. 

Horror movies are made to bring out a response in the viewer. In the most basic cases it's fear. This movie touches on all sorts of feelings. I don't guarantee that you will love this film, but you will recall scenes and parts of it for years. It hangs on you. The Stephen King factor will attract casual horror movie fans. Just don't expect them to sleep well. 



Director: Mary Lambert
Country: USA


Did ya know...
The role of Zelda, Rachel's dying sister, was played by a man. Director Mary Lambert wanted Zelda and her scenes to frighten the audience but did not believe that a 13-year old girl was scary so she cast Andrew Hubatsek in the role to make something be "off about Zelda".
Bruce Campbell was the first choice for the role of Louis Creed.
Stephen King once mentioned that the only novel he wrote that really scared him was Pet Sematary.

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Humanoids From the Deep (1980) - Barbara Peeters and Jimmy T. Murakami

This is your standard old drive-in Creature Feature that has tons of gore and boobs. It's great if your in for a cheap thrill. This film goes right up along side any Roger Corman produced picture from the eighties. It's rumored that Joe Dante was approached to direct this movie but he turned it down. Humanoids from the Deep, also known as Monster, is a strange but forgettable piece of exploitation that failed to make it's notch in history. Don't let that detour you though. This is a really fun little film that doesn't fail to be entertaining.  A small sea town in California is terrorized by some mutated creatures from the deep. They look like some sort of mutated fish, merman-thing. They seem to have one goal in mind and that is raping and impregnating the females of the town. Also the town is being taken for a ride by a shifty businessman and his new corporate cannery. Could this evil cannery corporation be responsible for the Extreme Creatures of the B...

Escape From Tomorrow (2013) - Randy Moore

This review may contain spoilers. An American independent horror movie from filmmaker Randy Moore. It stars Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Jack Dalton, Annet Mahendru, and Alison Lees-Taylor. It premiered at the official selection of Roger Ebert, at the Sundance Film Festival on January 18th, 2013. Synopsis Jim is a depressed middle-aged man that despises his family life but wants to try to hold it together for a vacation to the Walt Disney World Resort. Jim receives a call before they leave and, unfortunately, Jim has lost his job as well. It proves too much to handle as this trip to the Magic Kingdom becomes a hellish nightmare. Jim’s mind cracks as we watch him deal with Disney’s seedy underbelly. Complete with elaborate corporate conspiracy, undercover sex workers, and demons. Oh and two very young French girls that Jim lusts over. It’s gross. Analysis The acting is amateurish. It’s nothing that’s going to win any awards or anything. The wri...