Skip to main content

Maniac (1980) - William Lustig



I wanted to watch a gritty, brutal slasher and I think I found just what I was looking for with Maniac. You have guaranteed gore factor with Tom Savini providing the color for the more grotesque scenes. I had reviewed the remake with Elijah Wood previously and been pretty impressed with the realism. It's seriously stomach churning. This movie is no different. It still creates that pit in your stomach. 

Frank Rizo is a troubled man with issues stemming from his mother's death. He misses her and it drives him over the edge. We watch his insanity eat him alive as he tries to cope while doing some really terrible things. His victims are a number of women in New York. He always retrieves the scalp of the victim and nails them to mannequins in his apartment. But he has attracted the attention of the police and now things are getting a bit too heated. You can relate this to a modern day telling of the old Jack the Ripper tales. 



Rizo is a demented, tormented figure that's terrifying and real. Portrayed by Joe Spinell in a twisted way. This character makes Psycho's Norman Bates look like Charlie Brown. You also spend a great deal of time with Rizo, watching his day-to-day life. It tends to put you into his head-space and that is a scary thing. 

Tom Savini does a great job with the blood and gore. The effects are noticeably from the eighties and it makes it that much more realistic. It's a trait that's long forgotten in today's pictures. I think that is why I spend so much time watching movies from the Second Golden Age of Horror. Arguably, the last great decade in horror movie history.  Effects from that era are practical by necessity. It adds needed depth to the storyline. With each slice and dice you flinch and avert your eyes. As if the horror on the screen were real. But it's not. You just have to keep reminding yourself that this is just a movie. Today, films might be getting back to this logic. Unfortunately, a lot of it had to do with the time and lack of technology. I wont ramble about this any longer but I will write a book about it. Keep your eyes open for that. 


Yes. This movie is recommended for those that want to get more into horror. However, I warn you. This is not a movie that is recommended for parties or gatherings. Not unless you are okay with being "That Guy" from now on. This is best only watched by yourself, in a dark room, at night. You can assure you will obtain maximum fright. As always do not be judgmental of a movies lack of finances unless it gets in the way of the storyline, and this movie doesn't do that. You should be fine. 

Director: William Lustig
Starring: Joe Spinell, Abigail Clayton, Caroline Munro, and Tom Savini
Style: Realistic Psychotic Slasher - Maniac
Country: USA
Studio: Magnum Motion Pictures

Did ya know...
William Lustig and Joe Spinell, say they didn't always have the necessary permits to film on location in New York City. Certain scenes (including the infamous shotgun through the windshield scene) had to have been filmed quickly and afterwards the crew had to run away before the cops arrived.
In order to keep costs down, several porn actresses, such as Abigail Clayton, were hired to play the victims and other minor female roles.
Gene Siskel was so disgusted by the infamous "shotgun head explosion" scene that he walked out of the movie, saying on his television show with Roger Ebert that the film could not redeem itself after the ultra-violence that he had seen.

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Sleepy Hollow (1999) - Tim Burton

Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way. Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous  Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head.  I've always been a big fan of the Disney cartoon,  The Adventures of Ichabod and Mr. Toad . This movie is a far cry from Bing Crosby and quaint animations....

Le Manoir du Diable (1896) - George Melies

According to Wikipedia in August of 2011, Le Manoir du diable by Georges Melies is the first horror movie. Well, actually its a short film (about three minuets or so) but film was really hard to come by in that time so this counts as a film to me. The plot of the film is basic, you have your hero being tormented by demonic things in a crazy castle room... However, that plot isn't what brought the crowds. The thing that drove the popularity of these films was the fact that you were seeing motion on screen. I suggest going and seeing Hugo. That film is spectacular. It answered so many questions that I had. It really sets the scene and the tone. The film has strong christian overtones and actually ends with Christianity prevailing over the "tides of darkness". I provided a link at the bottom of this review for anyone that would like to see this pioneer in Horror Film. The movie uses very, very early "movie magic" that is an abundance of smoke and m...