Skip to main content

The Willies (1990) - Brian Peck


First off this movie would never have the ability to qualify for a PG-13 rating now-a-days. It is frightening. It's like a Nickelodeon horror movie. It has some really adult size horror, but can't shake that safe feeling that children's programming provides. This is an Anthology horror film that features a couple of different tales. These are always fun as they tend to provide some much needed variety. 


The film is about a group of kids, camping out and telling scary stories around the fire. They make reference to The Goonies and apparently Sean Astin is playing the same character that he was in that movie. Or at least that is what the rumor mill was saying. The kid's give us a lot of quick, short stories to kick it off. Surprisingly this is all part of a cold open that seems to take forever. 


They finally delve into some really bizarre tales. The first is about a scrawny, kid that has a problem with getting bullied at school. He discovers some strange, gargoyle-like monster hiding in the Boys Room. He also discovers that this monster has ripped the head off of his favorite janitor. He tries to find help, but one by one the Monster kills every intruder. It's actually kind of neat. 


The second feature is about this ass-hat of a kid named Gordy Belcher, that is obsessed with flies. Especially if they are dead flies. He puts the flies in a tiny diorama that he has in his basement. The flies are all set-up in these everyday life poses. It's kind of lame. He pisses everyone in town off with his dickish behavior, and kicks up a rivalry with a mad scientist of sorts

This movie isn't hurting for star power. Sean Austin, Jeremy Miller, James Karen, Kathleen Freeman, Michael Bower, Bill Erwin, Dana Ashbrook, Kirk Cameron, and even Doug Benson have a part in it. The writing and acting are all television quality but that doesn't take away from anything. The weirdest thing is the cold open. It's strange. And the individual scenes seem to go on for way too long and the plot just gets muddy.

The nostalgic factor really played a part with me here. I think I may have seen this when I was a child. It seems so familiar. I didn't expect much and I felt okay with what I had gotten. Others seem to really hate this movie, but I don't understand the hate. It's not the best so don't go into this expecting anything. Just watch it for what it is. A really weird early 90's kids horror movie. 

Director: Brian Peck
Country: USA

Did ya know...

This movie is directed by Brian Peck who played Slag in Return of the Living Dead. James Karen was also featured in the Return... movies. Somehow, Kirk Cameron and Tracey Gold from Growing Pains have a cameo in this movie. They reprise their roles from that show. Jeremy Miller also starred in Growing Pains
Gordy Belcher's school lunch consists of all the essentials for a nutritious Ghostbusters lunch: Hi-C Ecto-Cooler (a tie-in with The Real Ghostbusters (1986) animated series), Doritos (featured in the 2009 Ghostbusters (2009) video game), and Twinkies (featured in the Ghostbusters (1984) 1984 movie). - IMDB



Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are defini

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved itself into back in