Skip to main content

Son of Ingagi (1940) - Richard C. Kahn


This film is the first all-African American horror movie. This peaked my curiosity. Upon viewing it I noticed that it seems to be a mash-up of bits and pieces from horror movies that had been popular in the past. It has some great sequences and is thoroughly
enjoyable. It has some really cool musical pieces by a group known as The Four Toppers. 

The film focuses on a newlywed couple Robert and Eleanor Lindsay who inherit a strange old house from an old woman named Doctor Jackson. The house has a strange ape-man that lives in the basement. No doubt a product of the Doctor's experiments. The ape-man is her servant and is docile. That is until the ape-man finds an experimental potion that she had foolishly left out leading to the ape-man going berserk. Ape-Man become angry! Ape-Man smash!


The film has some really great acting supplied by Daisy Bufford. Spencer Williams, the writer for the film, also portrays a character in the movie. This is a low-budget film that makes the right decisions. It is really well shot and decently made. It isn't horrible and appears to be more palatable than other films from it's time. It feels as though it suffers from poor marketing and having a very small budget. I assume that it having an all-black cast during it's time didn't help either.  

Director: Richard C. Kahn
Country: USA

Did ya know...
The title is a take-off on the notorious film Ingagi (1930) that was made nearly a decade earlier. This is believed to be the only horror film with, what was then called, an "all colored cast."


Labels:

Comments

Post a Comment

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...
Post a Comment
Not scared yet? »

Sleepy Hollow (1999) - Tim Burton

Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way. Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous  Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head.  I've always been a big fan of the Disney cartoon,  The Adventures of Ichabod and Mr. Toad . This movie is a far cry from Bing Crosby and quaint animations....
Post a Comment
Not scared yet? »

Le Manoir du Diable (1896) - George Melies

According to Wikipedia in August of 2011, Le Manoir du diable by Georges Melies is the first horror movie. Well, actually its a short film (about three minuets or so) but film was really hard to come by in that time so this counts as a film to me. The plot of the film is basic, you have your hero being tormented by demonic things in a crazy castle room... However, that plot isn't what brought the crowds. The thing that drove the popularity of these films was the fact that you were seeing motion on screen. I suggest going and seeing Hugo. That film is spectacular. It answered so many questions that I had. It really sets the scene and the tone. The film has strong christian overtones and actually ends with Christianity prevailing over the "tides of darkness". I provided a link at the bottom of this review for anyone that would like to see this pioneer in Horror Film. The movie uses very, very early "movie magic" that is an abundance of smoke and m...
Post a Comment
Not scared yet? »