Skip to main content

The Rogues Tavern (1936) - Robert F. Hill

The Rogues Tavern follows the same tried and true path that its predecessors had taken. Another Old Dark House type movie that pits suspicion against wits. This one has a small twists and turns but ultimately ends up just like all of the rest. You get some pretty unenthusiastic shots of German Shepherds running up and down stairs and jumping in through a window. Other than that the movie is pretty boring. 

A group of people are stuck in an old hotel while a murderous dog roams the halls looking for it's next victim. This would be a cool premise if the movie wasn't so damn boring. What is with these movies? Why are they so dry and boring? The writing is horrible and the content is forgettable. I don't know why you would want to watch this but... whatever. Check out The Rogues Tavern for a taste of the Old Dark House-style. This movie is ripe with it. 

I don't want to keep regurgitating the usual gripe. I am just tired of the equation. It's the same thing every time. Group of people. Check. A creepy night, perhaps a storm. Check. An old dark building. Check. Uggh... I can't wait to get some variety in here. Give me the giant monsters and slasher killers! Hurry! 

I'm full of romance, must be this tavern, the fireplace. I feel so poetic, I could make love to a snowman.

  • When Mrs. Jamison (Clara Kimball Young) has her speech at the end of the film, a photograph of the younger Clara Kimball Young is visible behind her.
  • Australia has a uncut 70 minute version.
  • The tagline Weird Happenings In a Sinister Roadside Inn! 

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Sleepy Hollow (1999) - Tim Burton

Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way. Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous  Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head.  I've always been a big fan of the Disney cartoon,  The Adventures of Ichabod and Mr. Toad . This movie is a far cry from Bing Crosby and quaint animations....

Le Manoir du Diable (1896) - George Melies

According to Wikipedia in August of 2011, Le Manoir du diable by Georges Melies is the first horror movie. Well, actually its a short film (about three minuets or so) but film was really hard to come by in that time so this counts as a film to me. The plot of the film is basic, you have your hero being tormented by demonic things in a crazy castle room... However, that plot isn't what brought the crowds. The thing that drove the popularity of these films was the fact that you were seeing motion on screen. I suggest going and seeing Hugo. That film is spectacular. It answered so many questions that I had. It really sets the scene and the tone. The film has strong christian overtones and actually ends with Christianity prevailing over the "tides of darkness". I provided a link at the bottom of this review for anyone that would like to see this pioneer in Horror Film. The movie uses very, very early "movie magic" that is an abundance of smoke and m...