Skip to main content

Chloe, Love is Calling You! (1934) - Marshall Neilan

This movie was wrongly presented to me as a horror feature. Reviews and synopsis' of the film promised Voodoo Zombies. I was hoping for a movie a-la White Zombie and unfortunately I was left with this racist piece of garbage.

The movie is about a young mixed-race girl named Chloe, that returns to the bayou with her mother. Her mother is a voodoo witch named Mandy that has come back to take her revenge on the white plantation owner that killed her husband Sam some years back. Chloe, is being pined after by her handler Jim. A white guy that seems to be employed by Mandy or, for some reason, is just accompanying them on their journey. When Chloe runs into other white men in the movie they portray her as unclean and not pure. The movie has that certain eugenic flair that plagued a ton of American releases from this time. 

I waited for the horror to start throughout the entire movie and it never came. I feel like this was nothing more than a racist romantic comedy that tries to paint black people as horrific monsters or savages. There a numerous instances of Mandy dancing around a fire chanting. She flies of the handle and is painted as the obvious antagonist. Later in the movie when it is revealed that Chloe isn't related to Mandy, she literally jumps for joy. She had been so depressed the entire film about having even a drop of "black blood" in her system. 

Aside from the obvious flaws. The quality of the film has been deeply diminished. Missing frames, scratches, nudges, muddled audio, and over exposed film are all present here. I recommend this movie to anyone that is studying film or writing about movies from this period. It is a prime example of how narrow minded Hollywood used to be. Not that it's any better today.  

  • I watched a 57 minuet version on Archive.org. You should try to find the 62 minuet version. I bet they cut out all the "horror"
  • Produced by Pinnacle Productions, Inc.
  • Marshall Neilan is a well known director from the 20's. He has worked with some of the biggest names in Hollywood. 
 

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Sleepy Hollow (1999) - Tim Burton

Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way. Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous  Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head.  I've always been a big fan of the Disney cartoon,  The Adventures of Ichabod and Mr. Toad . This movie is a far cry from Bing Crosby and quaint animations....

Le Manoir du Diable (1896) - George Melies

According to Wikipedia in August of 2011, Le Manoir du diable by Georges Melies is the first horror movie. Well, actually its a short film (about three minuets or so) but film was really hard to come by in that time so this counts as a film to me. The plot of the film is basic, you have your hero being tormented by demonic things in a crazy castle room... However, that plot isn't what brought the crowds. The thing that drove the popularity of these films was the fact that you were seeing motion on screen. I suggest going and seeing Hugo. That film is spectacular. It answered so many questions that I had. It really sets the scene and the tone. The film has strong christian overtones and actually ends with Christianity prevailing over the "tides of darkness". I provided a link at the bottom of this review for anyone that would like to see this pioneer in Horror Film. The movie uses very, very early "movie magic" that is an abundance of smoke and m...