Skip to main content

Blackula (1972) - William Crain




Blacula is a exploitation film from the early seventies that cashed in on the horror genre. Like many other grindhouse movies of that era, the movie is made on a hairline budget. Several scenes swap continuity for sound effects and action. For example, there is a fight around a table with a candelabra on it. The fight overtakes the table and the candles go flying. However, the fight continues and the candles are back in the holder. Nothing huge. Just fun to poke at when your watching it with my eyes.

William Marshall does a fantastic job of playing Prince Mamawalde, a thousands year old African Prince that was turned into a Blacula after being double crossed by the actual Dracula. Now, awake in seventies Los Angeles, Blacula is out to find his beautiful Nubian Queen. However, he must quench his thirst. A thirst for blood. A doctor has his suspicions after finding a couple of bodies with vampire bites on their necks and he starts to investigate.

The plot seems simple enough. Nothing too crazy. Somehow it does a good job of holding your interest. The movie is hardly scary but you can see where they really tried to do a good job. Somethings just bother me about it. It bothers me that when Blacula goes into blood-lust mode he grows copious amounts of facial hair. I guess it just proves his manliness, but it seems a bit unnecessary. His cape is pretty sweet though. Thalmus Rasulala is really fun. He does a great job as a supporting actor and our hero of the picture. His investigation is pretty interesting and I like the people he hangs around with.


There isn't much else. I would recommend this movie to film students that are looking to study film from the seventies. It is such a victim of its time. The hair and the clothes. The language. The characters are all stereotypes from the seventies, it's great.

  • While the film was in its production stages, William Marshall worked with the producers to make sure his character had some dignity. His character's name was changed from Andrew Brown to Mamuwalde and received a background story about his being an African prince who had been turned into a vampire.
  • The musical group performing in the club is The Hues Corporation.
  • The film spawned a sequel, Scream Blacula, Scream




Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are defini

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved itself into back in