Skip to main content

Slither (2006) - James Gunn


Slither is a horror/dark comedy from the mind of James Gunn. The very same James Gunn that brought us Tromeo and Juliette, Super, and soon Guardians of the Galaxy. He has created this black comedy niche, that he really directs very well. This movie is no exception.

The acting really helps drive along the story here. Nathan Fillion, Elizibeth Banks, Michael Rooker, Gregg Henry, Jenna Fisher, and even Rob Zombie. They do a great job of keeping the banter very comedic, while the visuals are enough to make Hannibal Lecter dry heave. Well, not that crazy, but they are pretty nuts.

This horror movie actually pulls a bit from the sci-fi realm. The plot revolves around a small town that has to deal with their new parasitic visitor from outer space. This visitor releases these strange maggot like creatures that enter through your mouth and control you from the inside. The main bad guy, Grant Grant (yeah two names), gets it the worst. He is our patient zero. He begins eating hordes of meat and killing people around town to spread the infestation. Now the local sheriff, Nathan Fillion, needs to save the day.

That actually leads me to the one thing about this movie that bothers me. The CGI. I am a very harsh critic of over CGI use. James Gunn is guilty of over use of the computer, you know its bad when even the blood is generated. If you can look past the horrible CGI then you might just find a really awesome movie. For some reason no one talks about this movie. I really dig it.

Don't let them in your mouth! 
  • In the script, Jack tells Bill that Brenda is the niece of Randy Flagg. Randall Flagg is the bad guy in several Stephen King novels including The Stand
  • People, places and buildings, throughout the film, allude to various late-20th-century monster movies. See Movie Connections for specifics. 
  • Jenna and Emily Strutemyer were named after Jenna Fischer, director James Gunn's wife, and her sister. 

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved i...

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are ...