Skip to main content

Unheimliche Geschichten (aka. Eerie Tales) (1919) - Richard Oswald

Eerie Tales is fun like the Haunted Mansion at Disneyland. This anthology horror movie from 1919 is one of the most surprising pieces of cinema. Richard Oswald really out did himself here. The movie is comprised of five chilling tales as brought to us by three haunted paintings in an old bookstore. The paintings are; The Devil, Death (Conrad Veidt), and The Temptress (I think). The first of the five stories is "The Apparition".

The Apparition - Conrad Veidt falls for a woman with an insane ex-husband. Things go awry when they check into a hotel and ONLY Conrad Veidt checks out.

The Hand - Things get deadly when two friends compete for a woman's love. However, even after death one of the friends can't let go.

The Black Cat - This retelling of Edgar Allan Poe's classic shows an abusive drunk that kills his wife and seals her up in his basement. Conrad Veidt isn't having any of it.

The Suicide Club - An unfortunate little man gets mixed up in a Suicide Club that loses a member every time they draw an Ace of Spades. This man draws the Ace of Spades on his first draw and must commit suicide in 10 minuets. This one is from Robert Louis Stevenson.

The Spook - A Victorian Baron tries to move in on his host's wife. However, they are haunted by moving pictures, falling chandeliers, ghouls, and the full nine.

This movie is one of my favorite of the silent era. It has suspense, drama, and humor. It is also the first full length horror movie. Give it a watch. I think you will enjoy it.

Oh yeah and all of the title cards are in Helvetica.


Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Sleepy Hollow (1999) - Tim Burton

Tim Burton's take on the old Sleepy Hollow tale is really interesting. He adds his own flair of course. He delves very deeply into the original story by Washington Irving. The casting is usual for Burton. Johnny Depp of course in your lead. Helena Bonham Carter, thrown in for some flavor. The score is done by Danny Elfman. It's literally just the Ichabod Crane story run through the Tim Burton machine. But in a good way. Sleepy Hollow has a problem with a guy, running around, taking people's heads. Like, a lot of people. The town sends word for assistance and the nervous  Constable Ichabod Crane reports. He starts to unravel clues that take him down an incredibly strange path. With the Horseman still murdering patrons, Crane tries finding who's next before they lose their head.  I've always been a big fan of the Disney cartoon,  The Adventures of Ichabod and Mr. Toad . This movie is a far cry from Bing Crosby and quaint animations....

Le Manoir du Diable (1896) - George Melies

According to Wikipedia in August of 2011, Le Manoir du diable by Georges Melies is the first horror movie. Well, actually its a short film (about three minuets or so) but film was really hard to come by in that time so this counts as a film to me. The plot of the film is basic, you have your hero being tormented by demonic things in a crazy castle room... However, that plot isn't what brought the crowds. The thing that drove the popularity of these films was the fact that you were seeing motion on screen. I suggest going and seeing Hugo. That film is spectacular. It answered so many questions that I had. It really sets the scene and the tone. The film has strong christian overtones and actually ends with Christianity prevailing over the "tides of darkness". I provided a link at the bottom of this review for anyone that would like to see this pioneer in Horror Film. The movie uses very, very early "movie magic" that is an abundance of smoke and m...