Skip to main content

Kongo (1932) - William J. Cowen

Kongo is a brutal and disturbing movie that pushes the limits of film from the thirties; it is a wonder that MGM allowed a movie with this kind of content to be released. By today's standards this movie is pretty tame, but in the context of the time in which it was made the images are shocking. The movie deals with all sorts of topics ranging from racism to drug abuse and the brutality of the death scenes stick with you.

The movie is about a deranged and tyrannical man who runs a village in Africa with an iron fist from the security of his wheelchair. He keeps all those around him paralyzed with fear which he perpetuates by performing "magic tricks" like decapitating women and reanimating their bodies. He kidnaps the daughter of his rival, and then terrorizes her and a stranded doctor for most of the film.

The treatment of race is a big issue here too which may be a reason why this movie is difficult to find on DVD or VHS. The maniacal madman constantly berates the natives and constantly presumes that "whites" are smarter than "blacks".

The movie is a remake of the Lon Chaney drama West of Zanzibar; the difference here being the horror inserted into Kongo's plot. I was completely surprised by this movie; what I expected was another standard 1930's horror flick, but what I received was a compelling movie that kept me up until the wee hours of the morning looking up the history of the film. I highly recommend this movie. 

"I wouldn't waste Gin on that tribesman, that's kerosene!"

  • Virginia Bruce and John Gilbert were married on set during the filming.
  • The film is also based on a play of the same name, that opened in the mid 20's.
  • The movie got away with much of its content because it is Pre-Code.

Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t...

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved i...

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are ...