Skip to main content

The Ape (1940) - William Nigh

I really dislike monkeys as antagonists in movies, its bizarre I know, and I can't exactly tell you why I dislike bad monkeys. I just can't ever get into that storyline. Well I couldn't until now. The Ape from 1940 happens to be the ONE ape movie that I can really enjoy. This is in no way a good movie I am just a fan of the story here. It was really good.

Bela Lugosi stars as Dr. Bernard Adrian; a mad scientist who has vowed to save the life of a young woman struggling against polio. Meanwhile there is an escaped gorilla terrorizing the country side. Long story short the doctor ends up in a gorilla suit. Sorry for spoiling that for you. Just take it. Bela's acting is nothing short of amazing here and he really carries the entire film. It looks like it was really low budget and the whole idea behind the movie is ridiculous to the point that it is amazing.

The movie has very little in the way of violence or anything very scary; most, if anything happens off camera. Also the camera work is pretty raw, but that adds to the feel of the film. If you are a film buff like me and you like experiencing really rare pieces of film then I fully recommend this classic to you. This movie would make a great addition to any Boris Karloff collection.

The movie is also interesting to me because it is the first horror movie I have ever seen from the 1940's. This feels like progress. I am going to give The Ape a 6 out of 10. Check it out.

These cold eyes have watched a thousand men die screaming!


  • The film is based on a play 
  • This was the final film that Boris Karloff was under contract for with Monogram pictures. 
  • Film is also known as Gorilla 









Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are defini

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved itself into back in