Skip to main content

Black Friday (1940) - Arthur Lubin


This movie has a masterful mix of old-style gangster pictures and a mad scientist horror film. It's great! You get both Bela Lugosi and Boris Karloff doing their usual thing. Giving the movie some street cred. It plays out really smoothly and packs a big punch. It's the kind of quality I have grown to love from Universal. 

A criminal with a secret stash of hidden money is paralyzed and dying after being involved in a hit and run during a get-away from a heist. A surgeon, and friend to a victim of that hit-and-run, performs a very risky operation. He transplants the brain of the criminal into that of his friend in hopes of recovering the location of that hidden money. However, he awakens a murderous and treacherous fiend that has a love for murder!



It can be argued that this has too much action to be a horror movie. Some parts feel like No Country for Old Men but others are thrilling and suspenseful enough to definitely be horror. People argue that this movie has serious flaws. Mostly with Bela Lugosi and Boris Karloff not sharing any scenes. Apparently, Karloff was hard to work with. However, none of that seems to take away from the entertainment value. 



This isn't the best horror movie and it's really not that scary but I highly recommend it. It's a quality picture that shouldn't get swept under the rug or forgotten about. Not just because it is a Karloff/Lugosi movie. But also that it's a really absorbing and fun. 



Director: Arthur Lubin
Starring: Boris KarloffStanley RidgesAnne Nagel, and Bela Lugosi
Style: Action Horror - Mad Scientist
Studio: Universal
Country: USA

Did ya know...
Of the eight films featuring Boris Karloff and Bela Lugosi the two stars have no scenes together in this film and also "Gift of Gab."
Shooting lasted from December 28, 1939-January 18, 1940, released March 21.





Comments

Popular posts from this blog

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t

Spookies (1986) - Genie Joseph, Thomas Doran, and Brendan Faulkner

It's impossible to get a decent movie when you take two films and just squash them together. That is essentially the story of how this movie came together. The film started as Twisted Souls. However, according to the financial backer they didn't have enough horror. So they ended up hiring another guy to come in and add a monster in virtually every scene.  This movie started out being directed by Brendan Faulkner and Thomas Doran. It basically is the tale of two sets of teenagers that arrive to a strange building surrounded by a strange cemetery. It was your usual tale of teenagers in a big hows with a few monsters. Then they brought in Genie Joseph and added even more. Like a haunted birthday party, a murderous cat-man, zombies, and an old wizard. It really became a smorgasbord of horror with a very thin plot-line leading it around. This movie is hard to summarize in a conventional way. It just packs so much.  The most interesting part of this movie are defini

Le Diable au Convent (1899) - George Melies

Le Diable au Convent is longer than the two previous Georges Méliès ventures into short form horror. This particular French short shows the Devil himself running a convent and terrorizing the poor old nuns that live there. However he is finally vanquished by the good of Faith. This is yet another Méliès classic, showcasing the art work that really goes into his short film-making. This is one of the earliest examples of a horror movie that could rely on its elaborate set design and artistic design. Everything in this film, although horribly aged, has been packaged extremely well. If you are a fan of production and set design then I would highly recommend just about anything that Melies has his name on. Though nothing that is considered too extreme actually happens, Satan does have his way with a convent. The satanic imagery itself must have kept this film on the traveling carnival circuit. It certainly wouldn’t fit into the good moral bag that society shoved itself into back in