Skip to main content

House (1986) - Steve Miner

I first watched this movie with my dad when I was like five or six. It scared me then but fails to do so now. Over time this movie hasn't held up as the horror movie heavyweight that I remembered it being. However, it still entertains and has some freaky moments. Also it has George Wendt from Cheers and Richard Moll from Night Court. It's pretty chock full of eighties television stars. 

The film is about Roger, a Vietnam veteran that's been in the shit and watched some close friends die. Not only that, but he has also recently lost a son and favorite Aunt. It is safe to say that this guy has been through a lot. When he moves into a haunted house, that tips him right over the edge.

I didn't really notice it before but now that I watch this movie it starts to dawn on me that Roger is suffering from a really intense case of Post-Traumatic Stress Disorder. His PTSD manifests supernatural events to occur in his new home. Things move around. Dead people from his past return and haunt him. He has visions of short demons running amok. It all feels like a usual case of PTSD. Then Roger's new best friend Walter sees one of the horrors himself. He could have faked it, to appease his new pal.

I really like this movie. It has a very cool and classic feel. I have described it before as a haunted fun house. The movie is full of comedy and a good deal of terror. The effects are cheesy and so is the dialogue but it's still a classic. I recommend. I definitely recommend.


  • Like several horror films of the 1970s, 80s, and early 90s, one of the major themes of this film is the mental trauma of the Vietnam War that is re-lived and dreamt of by its protagonist. This can largely be attributed to the recognition of Post-traumatic Stress Disorder (PTSD) in 1980 by the American Psychiatric Association and an increased popular understanding throughout those decades of PTSD symptoms, e.g. nightmares, flashbacks, etc., as well as an increasing number of Vietnam veterans who committed suicide as a result of their wartime experiences. Thus in many ways, films like House reflect a change in national consciousness as war ceased being depicted as a glorious event and began to be seen as a harrowing and traumatic experience.
  • According to Fred Dekker, the script was originally inspired by Twilight Zone: The Movie (1983). After seeing that film, Dekker and his friends, which included Ethan Wiley, Steve Miner, and Shane Black, planned to make their own independent anthology movie on video. But the project was never completed. Dekker used the idea for his unproduced segment for this film.
  • Glenn Close and Sigourney Weaver were considered for the female lead role.

Comments

Popular posts from this blog

The Human Monster (1939) - Walter Summers

Bela Lugosi turns in a fantastic performance. It is right on par with the exact same films that had made him famous like Dracula . My personal favorite being The Black Cat . Like the latter, this film suffered from poor circulation and lack of advertisement. Either that or the public wasn't interested in seeing Lugosi in anything else other than his famous bloodsucker. This film has a broad and well acted plot that was rich with detail.  Lugosi has two sides in this picture. His well loved and compassionate side. The other is a strict, brutal lone shark that acts as a sinister villain to blind and handicapped people. He really brutalizes his victims. It's a macabre message to pay your bills.  The film is slow moving and plagued by the usual setbacks from its time. Most of the nation wasn't really that concerned with horror at the time. But studios knew that they would always have an audience. This film is a prime example of that. It's sad because it's 

Ju-On (2000) - Takashi Shimizu

Watching Japanese horror is similar to watching British comedy. If you enjoy dry whit then you probably enjoy the boys of Monty Python in drag. That's the joke, they're dressed like women. Get it? Well, that's British humor. But if you're like most Americans you probably prefer Adam Sandler farting his way across a football field and hooking up with chicks that are way out of his league. Americans usually prefer this more in your face, crass brand of humor. My point is funny in England is different from funny in the US. The same goes for J-Horror. What the Japanese consider scary is very different from what Americans consider scary and it shows in this horror film. Japanese horror is generally slow (a little too slow sometimes), suspenseful and creepy. Ju-On is a creepy effing film. The movie has almost no soundtrack. It is incredibly suspenseful and the pay-offs are pretty awesome, but I think that it was done better in the American version (cultural t

Inseminoid (1981) - Norman J. Warren

What can be said for mindless schlock pictures like this one. They were pumped out in droves during the eighties. Inseminoid !? give me a break! It sounds like some pre-pubescent teenage boys came up with the title. On the plus side the movie isn't horrible to look at and it has a decent amount of gore. If you can separate yourself from the political incorrectness, then you might have a perfectly decent Sci-Fi Monster Feature.  A research team exploring caves on Jupiter accidentally awakens an ancient alien that rapes and impregnates one of the team members. She suffers from terrible shock and trauma, leading to a complete mental breakdown as her pregnancy accelerates faster and faster. Feeling threatened she decides to kill anyone she deems a threat. Can the rest of the research team survive or will they all become victims of INSEMINOID! Apparently this movie had a million dollar budget. That's really shocking considering the outcome of the picture. The acting